Novedades para adultos (inglés)

Susie Moran is a success. She has founded and run her own highly profitable company, and now her three daughters are all involved in the business. Rooted in the traditions of the Stoke-on-Trent potteries, and producing charming, useable objects of distinctive design, Susie is justly proud of her family and her achievement – and has no intention of letting it change. But what of the men in the family? Susie’s husband, a musician and artist, has always seemed happy to take a back seat. One of her sons-in-law has few ambitions outside the home. Another daughter, though, has brought her husband into the company – and they want to change things, much to Susie’s distress. And then, into the mix arrives Susie’s father, an ageing hippy who abandoned Susie as a baby. Now he’s alone, and wants to build bridges, although Susie’s daughters are outraged at the idea. Can the needs of a family business override the needs of the family itself? In wanting to preserve her business, will Susie lose something much more precious?

Sentence for sentence, Salter is the master’ Richard Ford A major new novel, his first work of fiction in seven years, from the universally acclaimed master and PEN/Faulkner winner: a sweeping, seductive love story set in the years after World War II. From his experiences as a young naval officer in battles off Okina wa, Philip Bowman returns to America and finds a position as a book editor. In a world of dinners, deals, and literary careers, Bowman finds that he fits in perfectly. But despite his success, what eludes him is love. His first marriage goes bad, another fails to happen, and finally he meets a woman who enthrals him before setting him on a course he could never imagine for himself. Romantic and haunting, All That Is explores a life unfolding in an unforgettable world on the brink of change – a dazzling, sometimes devastating labyrinth of love and ambition, a fiercely intimate account of the great shocks and grand pleasures of being alive.

In these eight masterful stories, Lorrie Moore, explores the passage of time, and summons up its inevitable sorrows and comic pitfalls. In ‘Debarking’, a newly divorced man tries to keep his wits about him as the US prepares to invade Iraq. In ‘Foes’, a political argument goes grotesquely awry as the events of 9/11 unexpect edly manifest at a fundraising dinner in Georgetown. In ‘The Juniper Tree’, a teacher, visited by the ghost of her recently deceased friend, is forced to sing ‘The Star Spangled Banner’ in a kind of nightmare reunion. And in ‘Wings’, we watch the unraveling of two once-hopeful musicians, who neither held fast to their dreams, nor struck out along other paths. Gimlet-eyed social observation, the public and private absurdities of American life, dramatic irony, and enduring half-cracked love wend their way through each of these narratives, in Moore’s characteristic style that is always tender, never sentimental and often heartbreakingly funny.